In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.

An author of popular fantasy novels reveals that the mythical world he’s known for creating is actually real, sending the him on a quest.

In a Singapore children's home, girls navigate friendship, hope, and identity, illuminating unseen stories in a poignant exploration of resilience.

Diagnosed with a mental illness halfway through his senior year of high school, a witty, introspective teen struggles to keep it a secret while falling in love with a brilliant classmate who inspires him to open his heart and not be defined by his condition.

From 2019 to 2022, director Sarah Vos followed Rein Wolfs, the new director of the Stedelijk in Amsterdam, and his team as they attempt to resolve the lack of gender diversity of the museum, in which 90% of the works of art of the vast collection had been made by white men. To correct this imbalance, the museum allocated 50% of its budget to buy works by non-Western artists and diversified its hiring practices. The film documents meetings in which issues such as racial, ethnic and gender representation are addressed, as well as the adoption of appropriate language: should “sex worker” replace “prostitute” in certain titles? They conduct research in the archives of art by women artists, often not even catalogued, and work to rearrange the collection along a new thematic path to contextualize the cultural, historical and religious circumstances in which the works ware created. White Balls on Walls shows the successes and failures of this difficult process. We thank Pordenone Docs Fest for their collaboration. 　　源自：https://www.schermodellarte.org/en/film/white-balls-on-walls/

The story follows a slew of museum art robberies that occurred in Europe, in which Chinese antiquities were stolen, chiefly those that came from the country’s old Summer Palace which was raided in 1860 by French soldiers. No one knows who the thieves are, but the works of art continually wind up back in China. Essentially, there’s a new generation of wealthy Chinese people who are collecting artifacts from the old Summer Palace. Is China’s government behind the art theft wave? The feature questions who gets to own art, and who gets to own history and culture.

A young runaway rejects society's condemnation and dares to fulfill his dreams. France, 1930s. 14-year-old orphan Yves Tréguier sees the world through the bars of "educational homes" where he is raised in conditions worthy of a penal colony, and dreams of a dramatic escape across the ocean to New York.

A young runaway rejects society's condemnation and dares to fulfill his dreams. France, 1930s. 14-year-old orphan Yves Tréguier sees the world through the bars of "educational homes" where he is raised in conditions worthy of a penal colony, and dreams of a dramatic escape across the ocean to New York.

The Inner and Outer World of Shahrukh Khan is the release title for a pair of documentaries about Bollywood superstar Shahrukh Khan, both directed by the London-based writer and producer/director Nasreen Munni Kabir, an authority on Hindi cinema.

The all-access feature-length documentary on the making of Michael Bay's blockbuster "Transformers: Dark of the Moon," including interviews with the cast and crew.